Deformation Studies on Dimension and Structure for Fifteen Point Three.
Stedelijk Museum
Sonic Acts Amsterdam, 2019
description:
Deformation Studies on Dimension and Structure for Fifteen Point Three is a mediation between the potential of localisation through audio within the Pentacle system, the programming of each modulations of sound according to this capacity, and the acoustic resonances of the Stedelijk Museum. This gradual intervention, whose changes are indeterminately structured, is thought of as an unfolding of an organisation rather than a composition with defined parts. There is no imposition of a specific form, location or movement to pre-recorded audio but the emergence of sonorous events which are specific and non-repeatable
This piece was co-commissioned by Sonic Acts and A4 as part of Re-Imagine Europe, and co-funded by the Creative Europe Programme of the European Union and developed during a residency at STEIM.
recording:
Recording Courtesy of Sonic Acts
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Study on Asymmetric Zonality.
Fondazione Antonio Ratti
Como 2018
description:
Once amplification of standing waves and room
modes occur, the sonorous capacity of a resonant body whose physical characteristics constitute the actual audible which had remained uniquely potential, unearth a manifold of hearable
intersections among and in between internal and external acoustics of the edifice. Such interdependent audible relations in which a defined space, its shape, the objects populating it and its
surroundings become sonically expressive, compose an asymmetric manifestation which projects an audible trajectory with no particular origin and that does not end up at a particular place, but
rather, fragment listening by dissolving inside, outside, around, above and close, into a listening which is co-constituted by differences of degree and not of quality. In this sense, sound opens
space to a vibrational process of overlapping thresholds of aural perception which are gradually actualized through sonorous intervention. Such reciprocal exchange emerges from a connection where
audible actualities and indeterminate sonorous process converge in the apparent opposition of inside and outside, proximity and distance.
Generative Sound Intervention for Indeterminate
Amplification of Standing Waves and Room Modes.
recording:
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(A) Modal Study 1.
National Centre for Contemporary Art (NCCA)
Moscow 2018
description:
Multichannel subwoofer installation [4 Subwoofers, Computer]
recording:
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untitled.
(exercise on instants and intervals 1)
Haus der Kulturen der Welt
Berlin 2018
description:
Generative streaming feedback performance
[8 laptops, streaming, quad PA]
recording:
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untitled.
(exercise on pulse and density)
Zentrale
Wien 2018
description:
Installation on granular density among two angles
[4 loudspeakers]
recording:
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untitled.
(exercise on one axis)
Liebig 12 / Vorspiel Transmediale
Berlin 2017-2018
description:
Pulsar Synthesis multichannel installation.
[4 loudspeakers]
recording:
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Nancarrow Music Glossary.
CTM Festival
Kunstraum Bethanien
Berlin 2017
description:
Multichannel installation and generative composition based on fragments from Conlon Nancarrow's Piano Studies 3a to 36
[4 loudspeakers]
recording:
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untitled.
(exercise on relational fields of emergence)
St.Thomas Friedhof
Berlin 2018
description:
Transducer fine tuned to concave metallic surface and room resonance, random amplification sequences and patterns.
recording:
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∆t.Zeitvariable
Embajada de México en Alemania
Berlin 2015-2016
description:
Frequency analysis etched to black polystyrol plates (2m x1m)
recording:
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