Hugo Esquinca (Mexico City, 1990) produces actions and conditions utilising audio electronics at excessive levels of amplification.

His work has been presented in diverse contexts and venues such as EMPAC-New York,  Stedelijk Museum, Muziekgebouw-Amsterdam, National Centre for Contemporary Arts NCCA-Moscow, HANGAR-Barcelona, Museum Nikola Tesla-Zagreb, Festspielhaus HELLERAU-Dresden, CONCRETE Alserkal-Dubai, Namba BEARS-Osaka, 20000V-Tokyo, MIRA Ploschad of Modern Art Siberia-Krasnoyarsk, Le Centquatre-Paris, Fondazione Antonio Ratti-Como, Ujazdowski Castle for Contemporary Art-Warsaw, Palacio de la Escuela de Medicina-CDMX, ARTER Museum-Istanbul, Haus der Berliner Festspiele, Akademie der Künste, Radialsystem, Haus der Kulturen der Welt, Tresor and Berghain-Berlin among others.

He is currently a PhD researcher at the Erasmus Institute for Philosophy and Technology in Rotterdam under the supervision of Yuk Hui. Supported by Fundación Jumex Arte Contemporáneo.